The Placemakers

Traditionally autumn symbolises the harvest, and also the reaper. The reaper may be grim, but may also be the reaper of knowledge. Autumn is a time of reflection and introspection. Nature’s death drive reigns in my mind this season, not only because of the shedding of leaves, but also because of the faint rumbling sounds from distant parts of the earth. The seasonal shift flummoxed me as I struggled to explain: “It happened in autumn, that is to say spring. Autumn/spring is a time of natural violence. The shedding of leaves/birth of new lambs scribble scribble cross cross. I dunno nothing is certain anymore. With time and distance this looking glass tomorrowland, my homeland in fact, seems less and less real.” No matter how anachronistic our world is, the grinding force of narrative prevails to give structure to human thought. We can’t know if other animals do this so we assume they don’t (or prefer to think that we’re alone). Even if they do we can’t ever know if narrative has the...

Before one can tell the story of Milton Keynes, one must tell the story of Bletchley. The unlovely name means ‘Blaecca’s clearing’. Neighbouring Fenny Stratford is no less prosaic: the Latin strata is the most literary constituent of the name, most likely referring to Watling Road, which stretches from Dover to the Roman city of Chester. Ford refers to a river crossing, and Fenny means that the area was, well, fenny, muddy and flat. Following much the same history of the rest of South West England, Bletchley’s main redeeming feature is that it is roughly halfway between London and Birmingham, Oxford and Cambridge. For an understanding of Bletchley’s preindustrial history one must consult the modest books that are easily missed next to brassier titles such as Colossus (!) and Station X (!!). Local rector F.W. Bennitt’s prosaically named Bletchley is a gem filled with passages about local industry, entertainment and even a compendium on local dialect. Written in the mid thirties, it ...